1. Bibliography
Wiesner,
David. 2001. THE THREE PIGS. New York, NY: Clarion Books. ISBN 0618007016
2. Plot
Summary
David
Wiesner begins the traditional tale of “The Three Pigs” with the predictable
introduction of “One upon a time there were three pigs…” and quickly turns the
storyline to a fractured fairy tale by having the first pig blown out of the
original story by the wolf. The first
pig, who we all to know built his house out of straw, does not in fact get
eaten because he is now out of the story.
As the wolf moves on to the second pig who built his house out of
sticks, the first pig is able to run outside the story and warn his brother to
join him. The two pigs get their third
brother all while the wolf is following the traditional story line of locating
the pigs houses and blowing them down.
The three pigs decide to go for an adventure while outside their
original story by folding up their story pages, flying on paper airplanes, and
running into other traditional tales.
The pigs decide to return to their original story where they pick up
where they left off with the wolf climbing down the brick house chimney. Luckily for the pigs, they picked up another
character from one of the tales they fell in, a fire breathing dragon that
scares the wolf away for good. Even
defenseless characters such as pigs, can decide their own fate.
3. Critical
Analysis
David
Wiesner begins this fractured fairy tale with the original basic storyline of
the “The Three Little Pigs” as we all know it.
Just when you are bored with the predictability of the tale, Wiesner
pulls the pigs “out of the story”. The
three pigs are now in charge of the storyline’s fate. Wiesner now has the reader on their toes with
a plot that keeps them guessing. The
story goes on with a mix of the traditional tale happening on the page and the now
“new” tale occurring at the same time.
The reader is able to watch the pigs’ decide a new fate for their story
as it is happening. Wiesner incorporates
other tales in his story as the pigs fly and land in timeless children
tales. In order for children to
understand and appreciate the humor David shares in this book, they would need
a solid background of traditional tales.
As an adult, I did not know the fairy tale the pigs picked up their
dragon in, but I was able to understand it was obviously from a traditional
tale because of the other settings the pigs stopped in.
Wiesner’s
illustrations add to the brilliant magic of this tale. Wiesner begins the story with a cartoonish
style, then makes the pigs more realistic as they leave their story. This technique helps the reader distinguish
between the old and the new tale. The
pigs then use dialogue bubbles to communicate so the reader understands this is
happening “behind the scenes.” Wiesner has
several pages of the pigs flying through open blank space on the pages to add
to the drama of them leaving their story.
Each traditional tale the pigs land in has a unique artistic style that
separates each tale from the next. This
helps the reader understand the difference in tales as they all come together
in this fractured fairy tale.
4. Review
Excerpt(s)
Caldecott
Medal – 2002
Chair
of 2002 Caldecott Medal Award Selection Committee Member – “…Witty dialogue and
physical humor make this a selection that will have youngsters squealing with
delight.”
5. Connections
*Read
other selections of “The Three Pigs” and have students compare each selection.
*Discuss
how Wiesner pulled the characters out of the story and changed it. Students will use a traditional story they
are familiar with and pull the main characters out to change it as well.
*Read
other fractured fairy tale selections and discuss how the authors of these
selections changed the original tale.
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